There are people who argue that the social exclusion of dance is forever left behind the scenes, the interludes, the breaks, the transitions, the pavements, the frames, the walkways and passages of the Arts. Then, there are those who swear that there isn’t any other way. From the beginning of time, between the arts that were intended to last, it was crucial for humanity to be blessed with dance. An art which is a natural enemy of permanence. An art forgetful by nature, lazy. An art without a past in a bundle called history.
Moreover, it is essential for dance to fill the void between the different representations of art. The lack of any representation would otherwise make the mortal body quintessentially obsolete.
Abstractly, the body can only speak of death believing it is speaking of life. The bodies of the dancers are like guests at the dinner table, discussing depressing topics. Possibly, it is at this end of the conversation where dance finds its life still: Still Life.
Idea and direction: Meritxell Barberá & Inma García.
Choreography: Meritxell Barberá & Inma García in collaboration woth the dancers.
Dancers: Ana Cembrero, Cristian González, Diana Huertas, Ana Belén Lifante. Jon López, Lara Llavata and Laila Tafur.
Dramaturgy: Roberto Fratini.
Original music: Caldo.
Costumes Design: Siemprevivas.
Visual design: Sergi Palau.
Stage design: Taiat Dansa.
Production Assistant: Maríaje Mercader.
Press and comunication: Inventa.
Coproduction: Las Naves (Valencia), Teatros del Canal (Madrid), La Fundición (Bilbao), CulturArts, INAEM.